First and foremost this means addressing tonal, or frequency imbalances. Making a master clear, clean, and ultimately loud-if that’s what you’re after-is primarily about solving the issues outlined above. Here, again, there are both traditional and contemporary tools that can help us solve the issue of poor dynamic control. These sorts of sounds can contribute to masking, rob the song of headroom and power, and make it sound rough and unpolished. Other contributors to unclear and muddy masters are musical elements with poor dynamic control, especially if they reside in limited frequency ranges. Historically, EQ has been the traditional tool to adjust tonal balance-and you certainly shouldn’t overlook it-but today we also have some advanced tools that are very useful. Prime among them is tonal imbalance, meaning that the proportions of low, low-mid, high-mid, and high frequency energy aren’t well balanced with each other. There are a few key elements that contribute to an unclear or muddy mix, or master.
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